Kara
Cooney
Department of Egyptology
University of California at Los Angeles
Dr. Kathlyn (Kara) Cooney is a professor of Egyptian Art and Architecture at UCLA. Specializing in craft production, coffin studies, and economies in the ancient world, Cooney received her PhD in Egyptology from Johns Hopkins University. In 2005, she was co-curator of Tutankhamun and the Golden Age of the Pharaoh at the Los Angeles County Museum of Art. Cooney produced and hosted a comparative archaeology television series entitled Out of Egypt, which aired in 2009 on the Discovery Channel and is available online via Amazon.
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A woman’s power in the ancient world was always compromised from the outset.
Complex societies are inherently based on masculine dominance, forcing female rulers to resort to familiar methods to gain power. Some female rulers, like Cleopatra, used their sexuality to gain access to important men and bearing their children. Many, like Sobeknefru, only ruled at the end of a dynasty, after the male line had run out, or, like Britain’s Boudica, in the midst of civil war. Sometimes, a woman was the only effective leader left after drawn-out battles against imperial aggression. Some women, like Hatshepsut, gained their position as the regent and helper of a masculine king who was too young to rule.
Almost no evidence of successful, long-term female leaders exists from the ancient world – in the Mediterranean, Near East, Africa, Central Asia, or East Asia. Only the female king of Egypt, Hatshepsut, was able to take on formal power for any considerable length of time, and even she had to share power with a male ruler. Given this social reality, how then did Hatshepsut negotiate her leadership role? How did she rule “behind the throne” before her accession? Why did she ascend the throne as a king? What was her relationship with her co-regent Thutmose III? How are we to find this woman’s power when it is cloaked by traditional patriarchal systems? This lecture will work through the ample evidence for Hatshepsut’s reign in an attempt to find the woman behind the statues, monuments, stelae, and obelisks. |
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